Crasmere: September 2011

Kamis, 29 September 2011

[G190.Ebook] Free Ebook Ugly People Beautiful Hearts, by Marlen Komar

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Ugly People Beautiful Hearts is a poetry book with over 70 poems and verses moving between the feelings of loving someone, feeling loss, trusting the night sky, losing your light, resolving that hurt is beautiful, and finding compassion in a stranger's smile.
________________
We hurt and are hurt. We love and are loved. We’re selfish, and cruel, and like to watch something beautiful turn ugly. We don’t care about others. Not really. We use them until there’s no more to be used.

But.

But we also want to find each other. Want to draw closer. Feel, and take care. We want to look at someone and know, that what they see looking back at them is light.

We’re all ugly people. Ugly people with beautiful hearts.
_________________

One of the author's favorite poems:

There We’ll Wait

You know what I love? The spaces between I love you. The tap of your fork against the plate and how my cup of wine clicks against our table. The scratchy voice coming from the radio in the other room. The quiet sound of your hand reaching across the table and whispering over mine. How your voice sounds like your mouth on the back of my neck. The soft murmur of our easy conversation.

Between these quiet Tuesday night routines, following every comma and right after every pause for breath, is I, love, and you. In the middle of every I love you is a sink full of dishes, whisper of socked feet tangled in white sheets, and gentle kisses against curved cheeks. We lyric ourselves into the laundry that needs to be finished, into the ends of every smile that follows me repeating your name. We write ourselves into the grocery bags we need to carry, the cracks running up our rented walls, the sides of the bed we choose to drag up the sails of heavy eyed dreams.

Like the spaces between our fingers, in the spaces between I, love, and you, we wait.

The in-betweens have always been my favorite.

Sales Rank: #875026 in eBooks
Published on: 2015-03-11
Released on: 2015-03-11
Format: Kindle eBook

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7 of 7 people found the following review helpful.
If you have ever loved, lost
By Melinda
Komar’s poetry collection affected me greatly. I not only connected with her prose but I felt her words. It’s as if she crafted the words, thoughts and feelings with the emotion I carry in my heart as well as life experiences. If you have ever loved, lost, failed, endured, you will undoubtedly find solace and correlation to many in her collection. A panoramic glimpse of life, a kaleidoscope in variety.

Simple yet profound, you will find Komar’s poetry filled with raw emotion and truth. She writes what the masses feel, eloquently presented. All ages will enjoy verses filled with joy, melancholy, a nudge remembering the past, a moment in time reflected, no matter you will find pleasure in Komar’s numerous poems.

A beautiful collection I encourage all to explore, both tactile and visual stunning the peruser. Marlen Komar is clearly a gifted poetress, I look forward to reading more from this �ber talented woman.

0 of 0 people found the following review helpful.
I really enjoyed this poetry book
By TANGUY
I was sent this e book in exchange for an honest review. Thank you so much Marlen !

I really enjoyed this poetry book.
I wasn't expecting to enjoy poetry so much. When I think poetry I think Baudelaire or Verlaine. Gifted poets, but their poetry can sometimes be difficult to read, if you know what I mean. But this is different. It made me see poetry in a different light.
I really was in awe with her writing style. It's about heartbreak, romance, life and daydreams. I connected a lot with her poetry. In fact, it's really to connect with her work : if you've loved someone than lost him, felt your heart shattered then her poems will sound familiar to you. For some poems, it felt like she has written my own thoughts; it's really powerful. It's beautifully written, intricate and delicate.
Each word is chosen carefully, enlightening the feelings felt by the narrator or the reader.

I wanted to savor those poems so I read a few every day. It appears to me as the best way to truly appreciate them.

here is a list of my favorites :
- Fix your holes
- Don't. Do
- Come, quick
- Bravery found underneath a street lamp
- A rather cold tuesday afternoon
- It won't be me
- Watching the sky fall (asleep)
- To : you

and this is one of my top 3 favorites :

It won't be me

What if the constellations are actually fracture in the night sky, thin silvery veins racing across a glass holding back bruising shadows; eddies of history and rust. An atlas of- not roads and maps- but legends, feverish prayers, quiet poetry. Cast off hopes and dead devotions. What if it only took one person to throw a rock against the glass to shatter it and open us to never.

The question is : who of us is gentle enough to do it ?

0 of 0 people found the following review helpful.
Stunning poetry, wonky formatting
By Kayla (The Bookish Owl)
Originally seen on The Bookish Owl (http://www.thebookishowl.net/?p=6933)

*A free digital copy of this book was provided by the author in exchange for an honest review. Thank you so much, Marlen!*

To be honest, I found it quite difficult to review Ugly People Beautiful Hearts. I had trouble finding the right words to encompass my feelings for this poetry collection. I’m going to say this now to get it out of the way: my review of this book will be bad, brief, and will in no way do justice to the beauty of its poems.

Marlen Komar’s amazing writing is evident right from the get-go. Each word is chosen carefully and purposefully, strung together with other words and then structured in a manner that maximized the emotions leaking out of me. Not really the best use of imagery but I swear, that was how it felt like while I was reading the poems.

Out of the 70 or so poems included in Ugly People Beautiful Hearts, these few stayed with me, and I haven’t been able to stop thinking about them ever since.

• Nights That Sound Like Your Name
• We Think of Her
• A Rather Cold Tuesday Afternoon
• It Won’t Be Me
• Do You Still Remember Me?
• Seeking: A Reader of Maps
• The Things Silence Keeps Safe for Us
• Have Courage, My Love
• When I Go Missing
• Remind Me
• I Do It Because I Don’t Want To
• Maybe
• Meet You at the Usual Spot?
• What We Mean to Each Other
• Blue
• A List of, Essentially, Loves
• What Happens When I Try to Let You Go
• The Have Nots

The one thing that I didn’t particularly enjoy in Ugly People Beautiful Hearts was the book’s formatting. There was no distinction between the title of the poem and the poem itself. It isn’t really a big deal but I still wish that the title had been separated from the rest of the poem.

In A Nutshell:

Ugly People Beautiful Hearts is a powerful poetry collection and I highly recommend it. I urge you all to read, understand, and absorb the poems inside this book because each one is a stunning painting of words. Aaaand, that’s all I have to say.

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Senin, 26 September 2011

[P838.Ebook] PDF Ebook Medicine and Magnificence: British Hospital and Asylum Architecture, 1660-1815, by Christine Stevenson

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The late-17th and 18th centuries represent a golden age in terms of the design and construction of hospitals in Britain and its US colonies. This account of this period of planning and construction considers both the architecture and function of the hospitals and public response to them.

Sales Rank: #3050085 in Books
Published on: 2001-02-01
Original language: English
Number of items: 1
Dimensions: 10.39" h x 1.08" w x 7.98" l, 2.78 pounds
Binding: Hardcover
320 pages

About the Author
Christine Stevenson is lecturer in the department of history of art at the University of Reading, England.

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0 of 0 people found the following review helpful.
Five Stars
By MoleMan
Great study!

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Minggu, 25 September 2011

[Z858.Ebook] Ebook Download Building Bridges Through Sensory Integration, 3rd Edition: Therapy for Children with Autism and Other Pervasive Developmental Disorders

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Sales Rank: #8091402 in Books
Published on: 1600
Binding: Paperback

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Sabtu, 17 September 2011

[I497.Ebook] Free PDF Nightwork: A History of Hacks and Pranks at MIT, by Institute Historian T. F. Peterson

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Before the term hacking became associated with computers, MIT undergraduates used it to describe any activity that took their minds off studying, suggested an unusual solution to a technical problem, or generally fostered nondestructive mischief. The MIT hacking culture has given us such treasures as police cars and cows on the Great Dome, a disappearing door to the President's office, and the commencement game of "Al Gore Buzzword Bingo." Hacks can be technical, physical, virtual, or verbal. Often the underlying motivation is to conquer the inaccessible and make possible the improbable. Hacks can express dissatisfaction with local culture or with administrative decisions, but mostly they are remarkably good-spirited. They are also by definition ephemeral. Fortunately, the MIT Museum has amassed a unique collection of hack-related pictures, reports, and remnants. Nightwork collects the best materials from this collection, to entertain innocent bystanders and inspire new generations of practitioners.

Sales Rank: #1474861 in Books
Published on: 2003-03-14
Original language: English
Number of items: 1
Dimensions: 9.25" h x 8.00" w x .50" l, .80 pounds
Binding: Paperback
190 pages

Review

"A reminder that it is up to each generation to go where no man has gone before." Joanna Pawel New York Sun

"Nightwork...shows that students just want to have fun, especially engineering and technology students." Publishers Weekly

About the Author

Institute Historian T. F. Peterson has spent many years lurking in the corridors of MIT picking up gossip and monitoring hacks in progress.

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22 of 22 people found the following review helpful.
Great book, but with a caveat.
By SJT
This is a terrific, fairly comprehensive book of the highlights from MIT's long tradition of pranks. However, if you have already read Journal of the Institute of Hacks, Tomfoolery, and Pranks, you'll find you've read most of this before, and in better detail, with better-reproduced photographs (in my opinion.) The good thing about Nightwork is that this is includes hacks from more recent years than the other book.

For me, the time they spent on the new stuff wasn't nearly enough to justify buying a whole new book, but on its own and to someone who has never read its predecessor, it is an excellent and entertaining history.

6 of 6 people found the following review helpful.
what about all the failed pranks?
By W Boudville
Here is an informal romp through decades of MIT pranks. Reflecting well on the ingenuity and craziness of the undergrads who devoted so much time and sweat to making these happen. Most of the pranks revolve around some high tech gimmick. As you follow the narrative, you might admire the unorthodox nature to which technology has been applied.

The only lack in the book is in anecdotes of failed pranks. These could surely comprise a much larger text.

12 of 14 people found the following review helpful.
Interesting Hacks To Fascinate People
By roy christopher
The Massechussettes Institue of Technology has been host to the leaders of innovations in many fields: Artificial Intelligence, media and communication technology, open source development, and on and on. One of its lesser known areas of bleeding-edge innovation has been pranks and hacking. Well, Institute Historian T. F. Peterson is here to set that straight with Nightwork: A History of Hacks and Pranks at MIT.
Long before the term 'hacking' was associated with computers (and pejoratively by the popular press), it was an MIT institution. MIT undergrads used the term to describe any activity that took their minds off studying and stress. In Nightwork, the best of the best of the history of MIT hacks is documented, photographed, and explained in great detail.
Some of the best (and most visible) hacks at MIT involve The Great Dome. For instance, to celebrate the 2001 release of the movie The Lord of the Rings, MIT hackers made a gold ring around the dome with red Elvish script, "authentically inscribed with Tolkien's text." In the same spirit in 1999, two days before the release of Star Wars: The Phantom Menace, the dome was made up to look like R2D2 (pictured below).
Nightwork covers these more obvious hacks as well as the long history of pranks at MIT dating back to the 1940s: Interesting Hacks To Fascinate People. And lest the reader think this is all just mindless fun, a collection of explanitory and philosophical essays is also included.
Even if you're not a hacker or a prankster yourself, hack your bookshelf with Nightwork.

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Selasa, 13 September 2011

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In today's high-tech business world, where we all rely heavily on voice mail, E-mail, and faxes, we can't underestimate the value of a personal note. Sometimes we all need a little help in finding just the right words. Whether it's thank you's, condolences, business memos or personal notes, Business Notes will help you craft an appropriate message for any situation.

Sales Rank: #345316 in Books
Published on: 1998-03-10
Released on: 1998-03-10
Original language: English
Number of items: 1
Dimensions: 7.91" h x .68" w x 5.29" l, .61 pounds
Binding: Hardcover
160 pages

From Booklist
It is not a collection of business letters, ready to be mailed to any Tom, Dick, or Harriet. Rather, editor and author Isaacs takes her own advice and offers a very personal and very engaging view of an etiquette practice many would prefer to forget. Outlining every conceivable situation in which note writing could be a point well made, Isaacs first emphasizes the value of ignoring such high-tech tools as e-mail in favor of handwritten or typed missives. Occasions range from "saw this and thought of you" to the death of a dear one; every single solution, whether penned by the author or others, adds both grace and humanity to a work relationship, which is, after all, the prime raison d'etre for notes and their continued use as a business and social communications vehicle. Barbara Jacobs

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5 of 5 people found the following review helpful.
A wonderful reference for anyone in the business world
By L. Doody
I loved this book! It is a valuable reference for anyone in the business world and would make a wonderful gift for anyone entering into corporate America. The author demonstrates how a few simple sentences can help cultivate & maintain important business relationships for years to come. I will keep this one in my personal library for as long as I am employed!

25 of 26 people found the following review helpful.
A MUST for every business professional!!!
By Clinton F. Williams
Florence Isaacs does a masterful job of informing the business professional of the incredible importance and influence of notes. Notes are the bridges between professional relationships, and can determine the future of your business. Whether it be a thank you note for the previous day's lunch, the birth of an employees child, even the kind of pen to use, Isaacs covers everything you need to know about writing successful business notes. I highly recommend this book to anyone who wants to take their business relationships to the next level.

1 of 1 people found the following review helpful.
I have relied on this book for years!
By A.W.
My mother gave me this book when I was newly employed as a young professional. I cannot tell you how many times I have referred to it during the almost 15 years I have owned it. Short, sweet and to the point, Business Notes has been a wonderful resource for both traditional hand-written notes and email communication. I highly recommend this book for college graduates and seasoned professionals.

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Sales Rank: #3677526 in Books
Published on: 1994
Binding: Hardcover

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Senin, 12 September 2011

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Guide to the Pianist’s Repertoire continues to be the go-to source for piano performers, teachers, and students. Newly updated and expanded with over 250 new composers, this incomparable resource expertly guides readers to solo piano literature. What did a given composer write? What interesting work have I never heard of? How difficult is it? What are its special musical features? How can I reach the publisher? It’s all here. Featuring information for more than 2,000 composers, the fourth edition includes enhanced indexes. The new "Hinson" will be an indispensable guide for many years to come.

Sales Rank: #567707 in Books
Published on: 2013-12-03
Released on: 2013-12-12
Original language: English
Number of items: 1
Dimensions: 9.25" h x 2.17" w x 6.12" l, 3.85 pounds
Binding: Hardcover
1216 pages

Review

"[T]his volume, as its predecessors, is excellent for piano teachers planning recitals." ―American Reference Books Annual

"After perusing this comprehensive book, pianists will have a new list of music to learn!" ―American Music Teacher

"Praise for the 3rd Edition:
"[A]n important tool for any pianist or musicologist who wants to explore the piano repertoire. Its thoroughness and scholarly approach are products of the most painstaking research and labors of love." ―Journal of the American Liszt Society

Praise for the 2nd Edition:
"As the reader may already know, Hinson is sui generis! And we owe him renewed thanks." ―The American Music Teacher
"Highly recommended...." ―American Reference Books Annual
"The appearance of the revised and enlarged edition of Guide to the Pianist’s Repertoire is an event to celebrate..." ―Notes
"[S]tuffed with information..." ―The Musical Times
"[A]s a concise reference work, it stands alone...." ―Choice" ―

"The release of any book by Maurice Hinson (this time with co-author Wesley Roberts) is a major event, especially in the piano world. This Fourth Edition of Guide to the Pianist's Repertoire represents an accomplishment of staggering proportion, with over 1200 pages, more than 300 pages longer than the Third Edition. Dr. Hinson describes it as an updated ‘practical listing of the important piano literature,’ but it offers significantly more than that. In addition to the inestimable value of finding little known works, the reader also benefits from the lucid descriptions and practical information about piano music from 1700 to the present. This ‘Guide’ is an extraordinary resource for anyone devoted to the rich repertoire for the piano." ―Nelita True, Eastman School of Music

"The chapter on anthologies and collections will be invaluable to teachers and pianists wishing to explore new musical worlds." ―International Piano

"[T]he latest Hinson/Roberts Guide still remains a necessary resource for pianists, pedagogues, and libraries." ―NOTES: QTLY JRL MUSIC LIB ASSN

"This is an indispensable tool to any piano performer or student desiring to widen their musical horizons." ―La Lettre du Musicien

"This guide by Hinson... has been regarded as the leading English-language reference tool for solo piano literature since it was first published in 1973. Each succeeding edition has expanded in scope and quality.... Highly recommended." ―Choice

About the Author

Maurice Hinson is Senior Professor of Piano at the Southern Baptist Theological Seminary and was founding editor of the Journal of the American Liszt Society.

Wesley Roberts is Professor of Music at Campbellsville University.

Most helpful customer reviews

26 of 29 people found the following review helpful.
A Necessary Reference, But Far Too Many Problems!
By pianophile8
Forty years have elapsed since the first edition of this Guide appeared. One would think that during that time, sufficient opportunities would have been available for a thorough re-examination of its contents--whether for the correction of errors, the addition of previously-omitted composers and works, and for the style and usefulness of the descriptions. To a limited extent this has been done for the new 4th edition, which is some 250 pages larger than its predecessor. Unfortunately far too many problems still remain.

Any reference book is only as useful as what it contains for whatever the user is looking up at the moment. From that standpoint, why are only a few of Beethoven's variation sets and Bagatelles described or listed? No one would insist on descriptions of all 555 Scarlatti Sonatas, but only 15 are singled out for specific mention. Similarly, there is an arbitrary selection of only 19 of Haydn's 50+ Sonatas, and fewer than half of Chopin's nearly 60 Mazurkas. This is standard repertoire where all the individual works ought to be at least briefly covered. The Iberia suite of Albeniz gets an overall mention, but we are told nothing about the 12 substantial, individual pieces within that work. Nor do the 24 Preludes & Fugues of Shostakovich receive anything more than a generalized overall summary.

Among earlier keyboard composers, coverage is hit-or-miss, usually the latter. There's no mention of Sweelinck, for example, and for Byrd, Gibbons, Rameau, both Couperins, Duphly, Chambonnieres and Frescobaldi we get only lists of published editions; anyone seeking a representative sampling of specific works is out of luck. The relative allotment of space for several entries is questionable: why do Messiaen's early, unrepresentative Preludes, for instance, deserve a full page?

Major omissions, especially for 20th-century composers, are far too numerous for a reference book of this type. Fortunately Scott Joplin, Eubie Blake, Jelly Roll Morton and James P. Johnson are included, but by the same token, where are James Scott, Joseph Lamb, Zez Confrey, Dana Suesse, and Billy Mayerl? Nowhere to be found are any of the following, all of whom have had major piano works published, performed and recorded in recent years: Salvatore Martirano, Roxanna Panufnik, Ernst Levy, Earl Wild, Alberic Magnard, Nikolai Roslavets, Ronn Yedidia, Pancho Vladigerov, Ernest Schelling, Oldrich Korte, and Alexis Weissenberg. Other composers who are included receive less than their due: important recent works by Richard Danielpour, David Del Tredici, Stephen Hartke, and Judith Zaimont (among others) are missing, as are Carl Vine's Second and Third Sonatas and his Bagatelles and Preludes, Charles Wuorinen's Third Sonata, Leon Kirchner's Second and Third Sonatas, and Easley Blackwood's Concert Etudes and Sonata.

Most entries include concise descriptions of style characteristics and pianistic requirements. Too many, however, contain outright factual errors. According to the Guide, Bach's Goldberg Variations consist of 32 (not 30) variations! Max Reger is absurdly credited with writing "50-page Fugues." Liszt's etude called "Ab Irato" is said to conclude "with two pages of quiet loveliness" when in fact it hurtles to a violent ending. The timing given for the Dukas Sonata--65 minutes--is at least 25 minutes beyond its usual duration. Sorabji's Sonata No.3 does not last "12 hours" (!?); 90 minutes is more like it. Calling Michael Tippett's Sonata No.2 "mainly lyrical" misses the point of the work entirely. Among misspellings (relatively few), Sergei Bortkiewicz remains "Bortikievich" even after four editions of the Guide.

Too many descriptions border on the naive or sophomoric. There is a reference to "Diabelli's fun theme." We are duly informed that Chopin's Barcarolle is "remarkably successful" (was there ever any doubt?). A Chopin Waltz is said to be "Effective, brilliant, pianistic. Makes a fine effect." Then there are attempts at performance instructions: "Find correct tempo and hold it"; "Do not drag tempo"; "Watch the fp markings." And so on.

The book offers many bibliographical references to articles, dissertations and monographs, but again these are hit or miss. Important recent volumes on Alkan, Busoni, Medtner, Sorabji, Anton Rubinstein, Reger, and Shostakovich are apparently unknown to the authors. The works list for Alkan, incidentally, is still a mess, completely confusing the make-up of his Op.39 Etudes in the Minor Keys.

The general comprehensiveness of the book makes it a necessary reference for pianists and teachers, but only by default (since it really has no competition among English-language piano literature surveys). In light of the many problems throughout (only a few mentioned here), and the four decades that have elapsed since the first edition, it could and should have been much better. Perhaps a Wiki version ought to be prepared for electronic access with the capability of additions and corrections.

0 of 0 people found the following review helpful.
I'll have to opt for the hard copy fifteen pounder...
By Saladnut
I returned the Kindle version of this Book. There is no good way to search the book with Kindle. I have used the notes function to create my own indexes for navigating through the alphabetical structure. But that takes a lot of time. Then I wanted the "notes" for this (and other) books to be synchronized across two or three devices. After "indexing" as far as the T's, my "notes" synchronized, but they synchronized to the device that only had two "notes"-- effectively erasing the notes. I would like to have the book in digital format but the paper hard copy is going to be my better option. Otherwise, I love this book. It isn't perfect; but, the scope is amazing. Sometimes Dr. Hinson's tone is almost coffee-talk casual. But I enjoy those ambiguous shades tone as much as the attempt to be concise, meaningful and "comprehensive".

4 of 6 people found the following review helpful.
Fantastic resource for performer, teacher, and hobbyist pianist.
By 1monkey
I have owned the previous editions of Hinson's guides and used them over and over to find interesting and well crafted pieces that are "off the beaten track." I also love the listings of editions available. The ratings are very helpful, and the scholarship is of the highest quality. I have found pieces to add to my solo recital programs that are wonderful and unique, pieces for my students that are perfect when I am looking for music for small hands or "easy sounds hard." It's also a great guide to the immense world of classical music publishing when the choices seem overwhelming. I appreciate this reference book very much and love this latest edition. Lots of new composers included.

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Minggu, 04 September 2011

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Acknowledged as one of the most important books in its field, Schmitthoff: Export Trade now in its eleventh edition, is an encyclopedic reference work for students and practitioners seeking broad, in-depth coverage of international trade law. This new edition contains coverage of the major developments within this wide-ranging subject area, including: * Amendments to the Sale of Goods Act and the new INCOTERMS 2000 which have an important impact on the law relating to the sale of goods * The courts' new approach to disclosure requirements in contracts of marine insurance * Changes to international dispute resolution brought about through the Contracts (Applicable Law) Act 1990 incorporating the Rome Convention, the Arbitration Act 1996 and the Brussels and Lugano conventions * New chapters on the enforcement of judgments and awards, electronic commerce and EDI * New EU single market regulations on franchising, know-how licensing agreements and air transport

Sales Rank: #3387459 in Books
Published on: 2006-07-15
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 9.06" h x 1.93" w x 6.14" l, 3.05 pounds
Binding: Paperback
953 pages

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