Jumat, 14 Februari 2014

[M687.Ebook] PDF Download Strata and Time: Probing the Gaps in Our Understanding (Geological Society Special Publications), by D. G. Smith

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Strata and Time: Probing the Gaps in Our Understanding (Geological Society Special Publications), by D. G. Smith

This Special Publication explores the relationship between the preserved strata of the rock record and the passage of time. It covers the controls on preservation of strata in the record, through the qualitative and statistical properties of statigraphic data, to the implications for analysis, interpretation, modelling and prediction.

  • Sales Rank: #4580171 in Books
  • Published on: 2015-05-27
  • Original language: English
  • Dimensions: 9.75" h x 7.00" w x .75" l,
  • Binding: Hardcover
  • 325 pages

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Sabtu, 08 Februari 2014

[B204.Ebook] Download Ebook The 4:2 Formula: Getting Buyers Off the Fence and Into a Home, by Jeff Shore

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The 4:2 Formula: Getting Buyers Off the Fence and Into a Home, by Jeff Shore

Something in your clients' lives isn't working for them right now and they need a fix. They're on a mission...a mission to improve their lives. Your job is to connect to that mission so deeply that the path to the sale literally roles out right in front of you. The 4:2 Formula gives you proven strategies for discovering your clients' needs and providing solutions that will change their world.

  • Sales Rank: #70654 in Books
  • Published on: 2012-10-01
  • Number of items: 1
  • Binding: Paperback
  • 160 pages

About the Author
Jeff Shore is the President of Shore Consulting and one of the most sought after sales thinkers in business today. With 25 years of experience in sales, sales management, and corporate leadership, Jeff speaks to thousands of sales professionals around the world each year.

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3 of 3 people found the following review helpful.
Most sales people spend 100% of their time focused on ...
By Patrick Crocetta
Most sales people spend 100% of their time focused on "what the customer wants" (in a new home...but it could be in any new product). This is because typical sales people are fixated on the product and believe that's what influences the purchase decision. They unfortunately never consider the real motivating factor in a purchase -- WHY the prospect desires to make a change in the first place and respecting the fact that people don't buy the product...they buy the solution the product delivers! Jeff Shore takes the reader deep into this understanding -- how and why people purchase products and what it takes to create the desire and urgency for the prospect to decide to make a change (to buy!). This book is so powerful because if the sales formula Jeff discusses is applied, the sales path that leads to the close will open up every time. Every Sales Professional seeking to improve his/her craft in a quest to be the top 1% MUST read this book! As Director of Sales for a medium sized builder, The 4:2 Formula is now required training and at the core of our sales program. Thank you Jeff!!!

1 of 1 people found the following review helpful.
Enjoyable and informative read
By Cindie G.
Normally, I can't sit still to read a book, but this is a book I read in only a couple days. Jeff writes very conversationally and has great ideas for selling. I recommend it.

0 of 0 people found the following review helpful.
SUCH A PHENOMENAL READ!
By Amanda
I read The 4:2 Formula within the first month of my new job as a sales professional, and I will forever be fully indebted to my sales coach for turning me on the Jeff! As a "newbie" to the field, The 4:2 was JUST what I needed to catapult myself head first into the wonderful world of home sales! If you are looking to advance in your sales career, purchase The 4:2 Formula and revoltuitonize the way you understand and communicate with your clients! This book will allow you to maximize your sales, earnings, and over all experience in this field. While you're at it.. check out Jeff's book, "Be Bold and Win the Sale" as well! SUCH A PHENOMENAL READ!

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Rabu, 05 Februari 2014

[C472.Ebook] Fee Download The User Illusion: Cutting Consciousness Down to Size (Penguin Press Science), by Tor Norretranders

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The User Illusion: Cutting Consciousness Down to Size (Penguin Press Science), by Tor Norretranders

As John Casti wrote, "Finally, a book that really does explain consciousness." This groundbreaking work by Denmark's leading science writer draws on psychology, evolutionary biology, information theory, and other disciplines to argue its revolutionary point: that consciousness represents only an infinitesimal fraction of our ability to process information. Although we are unaware of it, our brains sift through and discard billions of pieces of data in order to allow us to understand the world around us. In fact, most of what we call thought is actually the unconscious discarding of information. What our consciousness rejects constitutes the most valuable part of ourselves, the "Me" that the "I" draws on for most of our actions--fluent speech, riding a bicycle, anything involving expertise. No wonder that, in this age of information, so many of us feel empty and dissatisfied. As engaging as it is insightful, this important book encourages us to rely more on what our instincts and our senses tell us so that we can better appreciate the richness of human life.

  • Sales Rank: #97969 in Books
  • Brand: Nrretranders, Tor/ Sydenham, Jonathan (TRN)
  • Published on: 1999-08-01
  • Released on: 1999-08-01
  • Original language: Danish
  • Number of items: 1
  • Dimensions: 7.80" h x 1.00" w x 5.10" l, .85 pounds
  • Binding: Paperback
  • 480 pages

Amazon.com Review
The "user illusion" in computing is the desktop graphical user interface (GUI): the friendly, comprehensible illusion presented to the user to conceal all the bouncing bits and bytes that do the actual work. Tor N�rretranders writes that "our consciousness is a user illusion for ourselves and the world ... one's very own map of oneself and one's possibilities of intervening in the world." Much of N�rretranders' evidence comes from comparing the wide bandwidth of experience to the narrow bandwidth of consciousness, and from examining how much of our brain function is never consciously acknowledged. Although slightly out of date (the book was written in 1991; it was a bestseller in Europe), The User Illusion has been well translated and gives a refreshing, non-Anglophone take on a problem that is not likely to go away anytime soon.

From Library Journal
Nirretranders declares: "Consciousness is a fraud." The realm of the subconsciousAthe "Me"Ais infinitely richer and must be cultivated if we are to experience the full sensation of reality. A best seller in the author's native Denmark, this book weaves together concepts from mathematics, computer science, neurology, and psychology.
Copyright 1999 Reed Business Information, Inc.

From Booklist
Norretranders, a top Danish science writer, makes his American debut with this sophisticated, cogent, original, and startling study of the nature of consciousness. A best-seller in Europe and a Book-of-the-Month Club selection in spite of its heady contents, this elaborate journey through the revelations of physics and chaos, complexity, and information theories elucidates the enormous changes wrought by our involvement with computers. It turns out that discarded information, or "exformation," is just as intrinsic to comprehension as selected information, and further, that conscious thought is "limited to a minute part of the abundance of information available as sensory input." In other words, the ratio between what our senses record and what we have conscious access to is on a par with the ratio between this concise review and the book it purports to summarize, that is, about one million to one. Our prized consciousness is a fine filter, designed, it would appear, to impose order, so, just as we suspected, we do "know" vastly more than we think. Donna Seaman

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167 of 174 people found the following review helpful.
One of the best explanations of conscious awareness so far
By Todd I. Stark
I'm a big fan of the recent books attempting to explain consciousness: Dennett, the Churchlands, Owen Flannagan, Damasio, Edleman, Crick, Calvin, and so on. "The User Illusion" is unique among this crowd in two ways. First, it builds from a broader base of support, in information theory and thermodynamics. Second, it does not focus on the brain, but on the experience of consciousness. This seems at first to be a weakness, but it turns out to be a strength because what the author attempts to explain is how the experience of consciousness relates to the reality around us.
In this book, a number of different lines of evidence converge on the profoundly scientific but uncomfortably counter-intuitive conclusion that conscious awareness is an extremely narrow bandwidth simulation used to help create a useful illusion of an "I" who sees all , knows all, and can explain all.
Yet the mental processes actually driving our behavior are (and need to be) far more vast and process a rich tapestry of information around us that conscious awareness cannot comprehend without highly structuring it first. So the old notion of an "unconscious mind" is not wrong because we have no "unconscious," but because our entire mind is unconscious, with a tiny but critical feature of being able to observe and explain itself, as if an outside observer.
This fits so well with the social psychological self-perception research, and recent research into the perception of pain and other sensations, that it has a striking ring of truth about it.
This does lead to some difficult conceptual problems. A chapter is devoted to the odd result discovered by Benjamin Libet (also featured prominently in Dennett's Consciousness Explained, but not explained nearly so clearly there). Libet observed that the brain seems to prepare for a planned action a half second before we realize we have chosen to perform the action. This dramatically makes the author's point that human experience proceeds from sensing to interpreting teh sensation within a simulation of reality, to experiencing. If we accept that the brain has to create its own simulation in order for us to experience something, there's no reason why the simulation can't bias our perception of when we chose to act. So we act out of a larger, richer self, but experience ourselves as acting from a narrowly defined self-aware self with no real privileged insight into the mental processes behind it.
This may well be the best discussion of conscious awareness yet presented in a generally readable form. But it does have some glaring weaknesses. The author takes great pains to build this model of conscious awareness from the ground up, but then applies it in a brief and haphazard manner to all sorts of things that deserve much more thought, such as religion, hypnosis, dreams, and so on. Even with the few weaknesses, the case made for the author's view of conscious awareness is both compelling and useful for further discussions, because it is built on a solid scientific and mathematical foundation, and the author manages to remain within areas that are already well studied. It isn't clear whether the author's model makes many testable predictions beyond those made by the underlying theories of perception, but it does provide a larger explanatory framework that is at once sophisticated and comprehensible.

102 of 108 people found the following review helpful.
Human consciousness as a metaphor of the computer age
By Dennis Littrell
This is a wonderful book translated from the Danish by Jonathan Sydenham, written more or less from a quantum physicist's point of view by a science journalist, but very readable, marred slightly by a Western bias.

One of the things learned here is that it takes half a second for our consciousness to be aware of what we're doing. We don't notice this time lag because the mind back-peddles and makes it appear that we are on sync. The mind must backtrack so that our system will know when in real time an event took place. Reactions to things like removing a hand from a hot stove occur faster than our consciousness has time to be aware. So the mind just reconstructs the event and there is the illusion that we were aware in real time. We weren't.

On page 256 is the example of a bicycle accident which happens too fast for the "I" to make a decision. The decision is made for the "I." So, is the "I" of consciousness really in charge or is that an illusion? The book's title gives Norretranders's opinion. I tend to agree. This is similar to the Buddhist idea that the ego-I of consciousness is an illusion.

Norretranders makes a distinction between the "I" that is conscious and has a short bandwidth of perhaps 16 bits and the "Me" that is nonconscious and has a bandwidth of millions of bits. The "I" thinks it is in charge, but all it has is a slow-moving veto. On pages 268-269 Norretranders talks about how to get Self 2 (corresponds to the Me) "to unfold its talents." One method is to overload the "I" so that the "Me" is allowed to come to the fore. Give it "so many things to attend to that it no longer has time to worry" or "veto." Then the inner Me comes forward and plays beautiful music, etc. Similarly, we could say that the use of mantra, e.g., is effective as a meditation tool since it keeps the very verbal "I" occupied and allows the inner "Me" to come forward.

Norretranders believes along with Julian Jaynes that consciousness arrived during recorded history or at least sometime during the first millennium B.C. He also believes that the use of mirrors helped to develop that consciousness. He notes (page 320) that "The use of mirrors became widespread during the Renaissance" which he says is "characterized by the reappearance of consciousness." (Thus we have our Western bias.)

On the subject of the half-second delay in our conscious recognition of what is happening to us (discovered by Benjamin Libet): "If there were not half a second in which to synchronize the inputs, [from our senses] we might, as Libet puts it, experience a jitter in our perception of reality." (p 289)

In reference to the title metaphor, we find on page 291: "The user illusion, then, is the picture the user has of the machine" [ i.e., his body and brain] "...[I]t does not really matter whether this picture is accurate or complete, just as long as it is coherent and appropriate. It is better to have an incomplete, metaphorical picture of how the computer works than to have no picture at all."

On the 16-second bandwidth of consciousness: "The bandwidth of language is far lower than the bandwidth of sensation. Most of what we know about the world we can never tell each other."

Norretranders believes that our religions reflect our level of consciousness. There is, he writes, "a preconscious phase" characterized by polytheistic religions; a socially conscious phase, characterized by religions like Judaism; and a personally conscious phase, of which "Protestantism is a pure cultivation." (from page 317)

I don't necessary buy this (nor his time table of consciousness: I believe that cats and other animals have a rudimentary consciousness, and more so did the australopithecine); nonetheless the idea that Christianity is a religion of consciousness because it says we have sinned in our hearts while Judaism, for example, is only concerned with actions, is an interesting, if perhaps trivia, idea. Norretranders notes later on that, in this, Christianity may be out of bounds since the half second delay means that our consciousness has no control over what the Me or our nonconscious selves may be thinking. We can't blame the I for the impulses of the Me since the I only has a veto, as it were, and can't initiate actions or thoughts.

This is an interesting schemata that he is drawing up, and like that of Freud it is clearly metaphorical and linguistic and not descriptive. Nonetheless, I think it has value in helping us to understand how our systems work.

On pages 319 and 320 we have consciousness arising before Christ and then being lost for the middle ages and then recurring again with the birth of the renaissance. I would wonder what Norretranders thought was happening at the time in e.g., China and India? I think his (and Jaynes's) time table is too recent and much, much too fast. If consciousness is a cultural manifestation of our evolutionary abilities-an "emergent property"-then I would prefer a cultural/evolutionary development that began around 100,000 years ago.

In the chapter entitled "On the Edge of Chaos" Norretranders cites Doyne Farmer and Aletta d'A. Belin as saying that "Life is a pattern in space and time rather than a material object (after all, atoms keep getting replaced)..." This is profound.

Consciousness is restricting. It discards information from the environment and returns a distilled essence. We miss a lot because there is no evolutionary necessity that we be aware of what our Me experiences. The vast amount of information would only confuse us, or at least make us less efficient. So consciousness is the veil of illusion that yoga, Buddhism, Hinduism, etc. talk about. The user illusion is maya.

14 of 15 people found the following review helpful.
A Unique, European, Composite View of Human Consciousness
By Earl Dennis
I agree with the one reviewer who says this is one of the best explanatory efforts regarding consciousness. I've perused quite a few offerings on this topic and Norretranders' interpretation comes pretty close to hitting home. One other reviewer suggests all Norretranders has done is regurgitate the work of others and repackage it. Ahem! that's about what a good science writer is supposed to do. The author isn't a neurobiological researcher, he's a science writer. Unlike a full blown scientist, Norretranders can take literary liberties to try and describe what may not in fact lend itself easily to description. He has no theory to sell, just the thesis that what we generally perceive as 'self' isn't quite what we envision it to be. It is true that this is a well trodden path, as seen in the thought of Kant, James, Lewis Thomas, Edelman, and Dennett, to name a few; it's just that Norretranders does a more artful job of describing a phenomenon that is undoubtedly understood better by others. He syncretizes the extant body of knowledge more delicately than his epistemological superiors in this subject; or perhaps it's his Scandanavian mode of expression. There's something about this book that made the Edelmans, Damasios, etc., of the bio-cognitive milieu more comprehendable. Consciousness is a unitary experience and at the same time a highly complex, composite event. Like many contradictions it does not lend itself readily to the expositor's voice. Norretranders does the topic honorable justice in my opinion.

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Senin, 03 Februari 2014

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  • Sales Rank: #15115725 in Books
  • Published on: 2001-11-28
  • Binding: Paperback

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Sabtu, 01 Februari 2014

[D738.Ebook] Ebook American Housewife: Stories, by Helen Ellis

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American Housewife: Stories, by Helen Ellis

A sharp, funny, delightfully unhinged collection of stories set in the dark world of domesticity, American Housewife features murderous ladies who lunch, celebrity treasure hunters, and the best bra fitter south of the Mason Dixon line.

Meet the women of American Housewife: they wear lipstick, pearls, and sunscreen, even when it's cloudy. They casserole. They pinwheel. They pump the salad spinner like it's a CPR dummy. And then they kill a party crasher, carefully stepping around the body to pull cookies out of the oven. These twelve irresistible stories take us from a haunted prewar Manhattan apartment building to the set of a rigged reality television show, from the unique initiation ritual of a book club to the getaway car of a pageant princess on the lam, from the gallery opening of a tinfoil artist to the fitting room of a legendary lingerie shop. Vicious, fresh, and nutty as a poisoned Goo Goo Cluster, American Housewife is an uproarious, pointed commentary on womanhood.

  • Sales Rank: #47487 in Books
  • Published on: 2016-01-12
  • Released on: 2016-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.79" h x .80" w x 5.28" l, 1.25 pounds
  • Binding: Hardcover
  • 208 pages

Amazon.com Review
An Amazon Best Book of January 2016: The Stepford Wives or Real Housewives of any city are no match for Helen Ellis’ ladies who not only lunch and rule book club with an iron fist, but also dumpster dive. American Housewife is a razor-sharp collection of a dozen stories about women who might be a little cracked, but in a way that totally makes sense somehow…Who hasn’t wanted to wage an all-out war with her neighbor over shared lobby d�cor? When the niceties fall away it’s all about guerrilla tactics and for the reader that’s straight-up hilarious. Writers, a poker player, southern ladies, and a sociopath all unknowingly vie for the mantle of best loved character and together this is a stand out, original short story collection. I predict it will be eagerly passed around among women like a tray of the best deviled eggs you’ve ever made. --Seira Wilson

Review
"Macabre does not even begin to describe this collection steeped in the Southern Gothic tradition. Flannery O'Connor would turn green with equal parts sick and envy.... [T]his dark, deadpan and truly inventive collection is one you'll wish to relish long after its sell-by date."
—Patricia Park, The New York Times Book Review�

“Satirical humor as twisted as screw-top bottles — and more effervescent than the stuff that pours out of them…�American Housewife�is a better cure for winter blahs than hot chocolate… The opening story captures her frisky, subversive take on domesticity… �Ellis's [one-liners] are outrageously good… ‘What I Do All Day’ is a three-page tour-de-force, boasting as many dazzlers as a wealthy Upper East Side matron's jewelry box…�Amid the furious activity, Ellis works her story to a touching punchline you never saw coming. This is shock and�awww�writing…�Ellis is a master of the unhinged monologue, delivered by narrators whose conventional, seemingly benign, honeyed patter gradually reveals the disturbing demon within.”
—Heller McAlpin,�NPR�

“The 12 compact tales are delightfully dark and leave readers always rooting for the housewife, no matter how twisted her plots…. With punchy writing and unique conundrums, American Housewife can be devoured in a sitting. Resist. The tales are best consumed like the pinot grigio some of these housewives enjoy — daily.”
—Christina Ledbetter, The Washington Post�

“Ms. Ellis, 45, calls herself a housewife. But that only begins to describe her. She is also a shrewd poker player who regularly competes in high-stakes tournaments, and the author of a forthcoming story collection, American Housewife, that focuses a dark and humorous lens on the domestic… The stories are addictive and full of pitch-perfect observations like, ‘the only thing with less character than Chardonnay is wainscoting’ and ‘Delores was as fertile as a Duggar.’ They are populated by, among others, neighbors in a co-op whose fight over decorating turns deadly; women in a book club trying to seduce a new member into carrying their babies; and a chilling series of dead doormen.”
—J. Courtney Sullivan, The New York Times

“Darkly comic stories about, and for, ‘grown-ass’ ladies, featuring scary book clubs, life-changing bra fittings and instructions on matrimony, like ‘Forget thongs.’ LMAO.”
—People

“Written in short and even shorter stories, Ellis structures her chapters as how-tos, lists, emails and some straight narrative. The book captures — and warmly lampoons — the scattered nature of modern life. The tales are also catchy, smart and very, very funny….The housewives in her collection share Ellis’s wry sensibility. But as comical as they are — and they are very — these women also have a sly depth. What Ellis has done with her smart satire is very difficult: She’s poking fun but not making fun of her characters. In fact, they are very likable.”
—Julie Klam,�The Washington Post�

"The funniest short story collection of 2016… Ellis writes like she talks, and the results are as effervescent and intoxicating as champagne punch.”
—Megan Labrise, Kirkus�

“Delightful in its originality and eerie, almost demented, humor… Ellis’s stories start in a place that’s quite familiar—the domestic sphere of New York City’s ritzy Upper East Side, where the author also resides—and end in a place that’s decidedly not. Her characters are stealthily complex, their perfectly composed, well-maintained exteriors the ideal cover�for inner lives that seethe with pathos and ambition.”
—Julia Felsenthal, Vogue.com

“The perfect cocktail of Amy Sedaris's wacky wit and Margaret Atwood's insight, Ellis's prose is both searingly funny and emotionally sound… Pithy, witty, and biting, a combination that makes Ellis's writing delicious… The women in these stories are alone in their homes all day, and in that they possess a unique power, command over a confined kingdom.”
—Claire Luchette, Elle.com

“The first line of Helen Ellis' book of short stories is a kind of call to arms for the American housewife. Quote, ‘inspired by Beyonce, I stallion walk to the toaster.’ Ellis is a self-described housewife. She's the kind of Southern lady that deals a mean hand of cards and once played at the World Series of Poker.”
— Rachel Martin, NPR “Morning Edition”

“Crackle[s] with domestically ambivalent characters: the modern day Betty Drapers in Helen Ellis’s short story collection,�American Housewife, whose tensions over wainscoting and book clubs escalate into near-farce.”�
–Vogue�

“Ellis’s 12 short stories about women under pressure are archly, acerbically, even surreally hilarious. By extracting elements from the southern gothic tradition, Shirley Jackson, and Margaret Atwood, Ellis has forged her own molten, mind-twisting storytelling mode. Her pacing is swift and eviscerating, and her characters’ rage and hunger for revenge are off the charts… Perfectly crafted… A breath-halting balance of slashing absurdist humor and rich and authentic emotional sensitivity… With monstrous children and cats, hopeless husbands, and covertly dangerous women, Ellis takes down the entire housewife concept with a sniper’s precision. These are delectably revved up, marauding, sometimes macabre tales of ruined marriages, illness, infertility, crass commercialism (literary product placement), desperation, ghosts, even murder, featuring women of shrewd calculation, secret sorrows, and deep sympathy."
— Donna Seaman, Booklist (starred review)

“If anyone can make the Real Housewives look dull, it’s the women in this collection of darkly hilarious stories.”
—Cosmopolitan

“Her stories are funny, dark, and surreal, like George Saunders by way of Park Avenue. The one about the book club legit gave me nightmares.”
—Izzy Grinspan, New York�

“American Housewife is a raucous, whip-smart collection of stories featuring retro-feminist ladies who lunch, launch madcap getaway schemes, and whack their naughty doormen with kitchen stools.”
—Elle�

“The�women in Helen Ellis’s stunning and very funny collection,�American Housewife,�are very, very real… After reading the book the first time in one sitting, I kept it on my nightstand, thumbing through it every now and then, imprinting the stories in my psyche. The state of the American housewife feels like old hat, but Ellis breathes life into the concept. The stories themselves are tricky, shiny jewels, and the women that populate them are tough nuts to crack, all sharp edges and elbows. They keep you on your toes.”
—Megan Reynolds, TheFrisky.com�

"Deep and engaging… Delightfully unhinged… �While her quippy observations will draw attention, the longer stories reveal a literate mind at work. Either she’s a genius at writing short or she spends hours paring away flabby phrasing to make each sentence so tight you can bounce a quarter off it… Ellis layers character quirks and details like tinder and a tepee of kindling in a bonfire and carefully positions plot developments to build the story’s heat and intensity.”
—Martha Sheridan,�The Dallas Morning News

"Sorry, Andy Cohen: Ellis' collection of 12 short stories is far more entertaining than any recent episode of�Real Housewives, no matter what drama Bravo manufactures. Ellis' ladies are hilarious, honest, and delightfully bizarre (you'll never look at a box of Tampax or a salad spinner the same)—and the type of group you'd love to have over for a dinner party (or just wine). We know the whole purpose of short stories is to be, well, short, but this book left us wishing that each of Ellis' characters had a novel of her own."�
—�Lynsey Eidell, Glamour.com

“Funny, biting, frequently dark… Think Megan Mullally's Karen Walker character (from "Will and Grace") meets Shirley Jackson… �Ellis captures the exacting performance art and exquisite inner agony of the contemporary hausfrau in crisp prose that often rises to aphorism.”
—Jim Higgins, Milwaukee Journal Sentinel

"This smart, utterly clever collection is evidence that there's always more�than meets the eye — and that you should never underestimate a housewife.”
— Krystie Yandoli, Buzzfeed

“They smoke their eyes and paint their lips, listen to erotic audio books while scrubbing the bathroom floor, channel Beyonc� while hoovering, and are quietly capable of burglary, kidnapping, and murder.�American Housewife�is a collection of darkly comic short stories that explore what goes on behind the scenes in America’s homes.”
—Daniel Dalton, Buzzfeed�

“A collection of 12 stories that skewer domesticity in hilarious style.”
—BookPage

"Lazy husbands, sociopathic mother-in-laws, offbeat book clubs and bra fittings take center stage in Ellis’ book, sure to leave readers either laughing, wincing or both at the same time...�[D]elicious… Ellis paints a retro-feminist portrait of the modern-day housewife... They are stylish, assertive, graceful and deranged...�If you seek solace in fearless women who can whip up Martha Stewart-style five course meals after having an epic breakdown, then this book is for you."�
—Candace Smith,�New York Daily News��

“Helen Ellis picks apart the myths and ideas about what makes a housewife, painting a compelling and humorous portrait of one of society's favorite tropes…The women in�American Housewife�are fully realized, dangerous, and unflinching… The stories explore a fascinating dichotomy in our image of the housewife: as both a harmlessly feminine domestic goddess and a lioness who rules her own home.”
—Bridey Heing,�Broadly�

“Unforgettable… The world of�American Housewife�is stuffed with humor at every turn. Trust me, you need this book in your life.”
—Melissa Ragsdale,�Bustle�

“Delightfully dark stories of demented domesticity. Who hasn’t wanted to murder an uninvited guest or two? A fresh take on domestic womanhood and its evolving definitions.”�
–Liberty Hardy,�Book Riot�

“Desperate doesn’t describe the housewives in Helen Ellis’ American Housewife—try uproariously, sharply, and darkly damn funny.”
—Marie Claire

Helen Ellis, raised in Alabama and a competitive poker player, placed her bet on fiction as the best window into the off-kilter world of pearls-and-lipstick domesticity… Hilarious.”
—The National Book Review

“This demented and funny story collection by a professional poker player and author turns a gimlet eye on the species of American women with a surfeit of rage, irony and time on their hands.”
—Tom Beer, Newsday

“Ellis’ characters are complex, funny, and edgy—much like Ellis herself.”
—Samantha Zabell, RealSimple.com

“The stories are a good mix of the sassy, the quirky, and the utterly creepy, congealing perfectly together like a good ol’ Jello salad—not unlike like the one that confused her New Yorker husband during his first visit at her parents’ years ago.”
—Alexandra Chiasson, Good Grit Magazine

“Stop whatever you’re doing and order Helen Ellis’s hilarious new collection of stories,�American Housewife… Dark, sharp and laugh-out-loud-funny…�Like�a Bravo binge, Ellis’s book is best served with a bottle (or two) of wine.”
—PureWow

“Hilarious and moving, terrifying and shockingly strange, every page of�American Housewife�is driven by the fierce and fearless voice of Helen Ellis. Mixing together reality TV, book clubs, the Upper East Side and classic whodunits, these characters never forget to dab Chanel No. 5 behind their ears before murdering their neighbors. So sit back and enjoy the cocktails and hors d’oeuvres and let these ‘ladies who lunch’ tell you their stories of infidelity and infertility, of decorators and doormen, of love and failure and friendship and hope. On the outside, these housewives look like Jackie O. But on the inside they are all burning with passion and rage. This book is feminism with teeth and a southern drawl. Red lipstick and a baseball bat. And I could not stop reading and laughing and cheering each of these women over the finish line.”
—Hannah Tinti, author of�The Good Thief�

“If your best friend was brilliant and very funny and given to sudden profound or outrageous pronouncements and nevertheless cared about every detail of the world and found meaning there, positive and negative, and poured her heart into telling you stories, and if she had an instinct for breakdowns, how we are all given to them relentlessly in ways that are both hilarious and sympathetic, it might be something like reading this wonderful, charged, lyrical, intelligent book of short stories.”
—Rebecca Lee, author of Bobcat and Other Stories

“The stories in American Housewife, by the lovely Helen Ellis, are outrageous and� irreverent—code for totally relevant and utterly winning. Buy this book!”
—Hannah Pittard, author of Reunion and The Fates Will Find Their Way

“I finished American Housewife three days ago, and I'm still in withdrawal. I want to throw a cocktail party for Helen Ellis's beautiful, demented, touching heroines. I'd ply them with gin and Jell-O salad, admire their brooches, and force them to give up their deepest secrets. In other words, I wish I could read this exhilarating book all over again.”
— Eliza Kennedy, author of I Take You

About the Author
HELEN ELLIS is the acclaimed author of Eating the Cheshire Cat. She is a poker player who competes on the national tournament circuit. Raised in Alabama, she lives with her husband in New York City.

Most helpful customer reviews

12 of 13 people found the following review helpful.
Didn't Make Me Laugh Out Loud As Advertised
By Sarah's Book Shelves
I received a complimentary copy of this book from the publisher (via Netgalley).

This short story collection was what a lot of short story collections end up being for me: hit and miss (or, in this case, hit and so-so). It’s like when a Top Chef contestant makes a “duo of lamb, tuna, whatever” and the judges ding him/her because one half of the duo was great, but the other was merely average. So, the overall dish doesn’t work. I kind of expected to laugh out loud throughout this book and to encounter “yes, that’s exactly how it is” writing, but that really didn’t happen much. There were paragraphs here and there that were funny and spot-on, but few of the stories worked in their entirety for me. The two stories I really enjoyed (“Dumpster Diving with the Stars” and “The Fitter”) were a bit darker and longer than the others, allowing me to invest in the characters. Though this collection wasn’t an overall winner, it did help me clarify what types of short stories are more likely to appeal to me.

Check out my blog, Sarah's Book Shelves, for more reviews.

15 of 17 people found the following review helpful.
funny and shocking and full of the truth about what it is to be a housewife
By Dave Astle
American Housewife is a collection of humorous stories, some a little bit dark, some a little bizarre, but all will at least make you smirk, if not have you laughing out loud. As an American housewife myself, I saw myself in several of these characters but luckily not in all of them.
My favorite was Pageant Protection, about a woman that saves little girls from their pageant mothers by kidnapping them and setting them up with wealthy Manhattan couples as new parents. If only there was such a person out there, saving those poor little girls! I enjoyed the last story in the book as well and will never look at a box of Tampax the same. American Housewife is a tiny little book that will take you a couple of hours to read, tops, but it will keep you thinking about what it means to be an American housewife.

5 of 5 people found the following review helpful.
Short stories about horrible people, behaving horribly.
By Barks Book Nonsense
When I started American Housewife, I had some vague memory of someone somewhere saying it was a memoir and I started reading it with glee because these people were horrid and I love nothing more than reading about horrible, snooty people doing horrible things to each other (and, if true, all the better!) but alas my brain failed me once again. I soon realized it’s actually a fictional collection of short stories, vignettes and “lessons” – mostly sarcastic lessons on how to be a proper southern lady. Lessons I obviously have no use for! None of them are true stories either. Ah well.

I’m not going to rehash all of the stories and such with a plot synopsis because I am lazy and mostly because I did not take notes. So off the top of my head, I’ll tell you a little about the stories that stuck with me long enough to be written down here.

“The Wainscotting War” was the first real short story in the collection and I thought it was the best. It should’ve been stuck somewhere in the middle because I kept expecting the rest of the tales to have the same snarky magic and, except for brief glimpses, they didn’t. It’s about two housewives who go to great lengths to out insult the other in an email war over redecorating a hallway. It’s wickedly dark and funny in the evilest of ways and I LOVED it.

“The Fitter” is about a woman who is married to the most wanted man in all the land. Wanted by the woman-folk, that is. He can look at a woman’s chest and instantly find her the perfect bra, one able to perk up the saddest pair of droopy breasts without surgery. He’s been able to do this since he was a kid which is kind of creepy, if you ask me, but he’s managed to make quite the living off of his magical skills, yet another reason the ladies are all after him. His current wife, also his assistant in the business, has to fend off the hussies vying for his attention. I felt for her, I truly did. It was a little sad but I’m not going to tell you why (unless you send me some chocolate).

“Welcome to Book Club” mostly annoyed me, truth be told. I thought it was trying just a little too hard to be witty and obnoxious and mostly succeeded in just being obnoxious. To be a part of this exclusive “book club” means you must give up your identity and . . . other things. The narration was good but the story didn’t work out for me.

“Dead Doormen” was ghostly, morbid and a little ghastly. That I can work with.

“Dumpster Diving with the Stars” nearly bored me to death. It was about some ridiculous reality tv show. It was overly long and not at all interesting or witty to me. Not helping matters was the monotonous narrator. I never thought it would end but fortunately it did.

Did I mention the stories are read by alternating narrators? That’s a very good thing in this case.

“Pageant Protection” is a twisted little story about a woman who makes it her mission to give pageant girls a lifestyle “do-over”.

“I Sold My Soul to Tampax” is the last story and I don’t think this is the title but it’ll have to do. My brain has shut down for the day. It’s about a writer who apparently didn’t read the fine print on her contract and faces what is probably every writer’s worst nightmare. It was pretty much all over the place and felt a little rushed and the protagonist seemed like a dimwit for allowing any of this to happen at all.

Most of the stories fall into the “entertaining at some point” category with only one that really stood out which is unfortunate seeing as it was the first actual story in the book and set me up to expect the rest to be even better. The others weren’t as nasty as I’d hoped and weren’t really “laugh out loud funny” but maybe my sense of humor has skedaddled off with what’s left of my memory. If you want to read about a bunch of awful ladies that have ugly thoughts, dark edges and haughty ways give it a go. You probably won’t like any of these people but you might like reading about them.

If nothing else, I learned that:

“Taxidermy is the new decoupage."

Who knew?

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American Housewife: Stories, by Helen Ellis PDF

American Housewife: Stories, by Helen Ellis PDF

American Housewife: Stories, by Helen Ellis PDF
American Housewife: Stories, by Helen Ellis PDF